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Surrey Advertiser: A passion for music. Chantez! A Night of French Music [2016-05-27]

Subject:
Surrey Advertiser: A passion for music. Chantez! A Night of French Music. Review by Charlotte Perkins
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Year:
2016
Date:
May 27th, 2016
Text content:

a7is e

Surrey Advertiser

20

Theatre arts review

A passion

for music
Chantez! A Night of French
Music

in the pavane, drawing out
the famous melody with ex-

Vivace Chorus and

quisite musicality.
The

Brandenburg Sinfonia

professional

ensem-

solo

Ravel’s

G Live

ble’'s

Rating: % % % % 5%

Pavane pour une infant défunte, was heart-wrenching.

SATURDAY

Channel

G

Live

The music felt like it was in

across

the

a

night

flight, soaring over the heads
of the audience.

saw

transported

piece,

for

immersed in the elegance of

French classical music.

Jeremy

Backhouse opened the con-

de Jean Racine. Choir and en-

cert

semble were in perfect harmony, showing off their im-

with

Jules

Chansons

Massenet'’s

des

bois

d’Amaranthe and after a
shaky start, Vivace Chorus’s
confidence blossomed and

pressive

dynamic

while giving the music space
to breathe.
The

pace of Oiseau des bois. Some

César

of the songs were slightly lost

Angelicus with aplomb. Their

in

enjoyment of the music was

contrapuntal

lines

chorus

pulled

Franck’s

off

Panis

it

obvious and the solo cello
added melodious depth.

Fauré’'s

Madrigal

From the opening Kyrie of

followed,

with

beautiful

breadth

of tone

basses

and

but

Backhouse

brought

back with a joyful Chantez!
Gabriel

from

altos.

Fauré’s

Requiem

the

choir

the

outdid the orchestra. They

The

were more delicate and more

Brandenburg Sinfonia shone

ge—blt

control

they settled into the lively

bitty

Y

It was matched only by

Vivace
Chorus’s
stunning
rendition of Fauré’s Cantique

Conductor

eo—~l

precise,

with

a

beautifully

sustained sound. The climax
of the Sanctus was jubilant,
although the quieter sections

were marred by the solo violin, whose exaggerated rubato
and
thin
tone
was
off-putting.

Soprano

Jocelyn

Somerville’s

pure,

lyrical

voice was perfect for the Pie

Jesu and provided contrast to
the menacing choral intensity of the Agnus Dei. Baritone
Matthew Wood’s warm, effortless tone enveloped the
audience in Libera Me and

the work finished on a rever-

their repertoire with an intel-

ent In Paradisum.

ligence that brought the mu-

Despite .all the ups and
downs that accompany an

amateur

performance,

the

concert was a true expression

of musical maturity.
The performers executed

sic to life. Vivace Chorus has
the most important ingredient for music-making: passion, and on Saturday they
shared that with us all.

Charlotte Perkins