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Vaughan Williams Sea Symphony [1992-05-02]

Subject:
Vaughan Williams: Sea Symphony
Classification:
Sub-classification:
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Location:
Year:
1992
Date:
May 2nd, 1992
Text content:

GUILDFORD PHILHARMONIC ORCHESTRA
1991/92 SUBSCRIPTION SERIES CONCERTS

SUNDAY 29 SEPTEMBER 1991 at 3.00pm
THE HART BROWN CONCERT

Dvorak
Mendelssohn
Elgar

Overture: Carnival
Violin concerto in E minor
Symphony No.2 in Eb

violin
conductor

GYORGY PAUK
SIR CHARLES GROVES

Sponsored by Hart Brown & Co., Solicitors

CIVIC CONCERT

PETER FRANKL

SIR CHARLES GROVES

Purcell/Britten
Haydn
Brahms

4.

Hosted by the Mayor of Guildford. @

piano

conductor

(From the New World)

Dvorak

NIKOLAI DEMIDENKO
JIRI STAREK

piano
conductor

Overture: Leonore No.3
Piano Concerto No.5 in Eb (Emperor)
Symphony No.7 in A

Beethoven
Beethoven
Beethoven

JOHN LILL
SIR CHARLES GROVES

piano
conductor

SATURDAY 7 MARCH 1992 ar 7.30pm in

Fantasia on a Theme of Thomas Tallis

SATURDAY 26 OCTOBER 1991 at 7.30pm
Ravel
Mozart
Tchaikovsky
clarinet
conductor

MICHAEL COLLINS
JACEK KASPSZYK

Symphony No.9 in E minor

Mozart
Rachmaninov

GUILDFORD CATHEDRAL

Sponsored by BOC. @/ BOC

Pavane pour une infante defunte
Clarinet Concerto in A (K.622)
Symphony No.1(Winter day-dreams)

Overture: Marriage of Figaro
Piano Concerto No.2 in C minor

SUNDAY 2 FEBRUARY 1992 at 3.00pm

SATURDAY 12 OCTOBER 1991 at 7.30pm

Chacony in G minor for strings
Symphony No.104 in D (London)
Piano Concerto No.2 in Bb

SUNDAY 19 JANUARY 1992 at 3.00pm

Pre-concert talk in the Civic Hall at 6.15pm with JACEK

KASPSZYK, for ticket holders.

SATURDAY 9 NOVEMBER 1991 at 7.30pm

Oboe Concerto
Benedictus

Vaughan Williams
Strauss
Blake

MALCOLM MESSITER

oboe

SIR CHARLES GROVES

conductor

MARTYN HILL
GUILDFORD PHILHARMONIC CHOIR

tenor

Pre-concert talk in the GUILDHALL at 10.30am with
HOWARD BLAKE, for ticket holders.

SUNDAY 29 MARCH 1992 at 3.00pm
Concerto Grosso Op.6 No.2
Concerto for Two Violins

Handel
Bach

(Soloists: Hugh Bean and John Ludlow)

Israel in Egypt

Handel

RUTH HOLTON
NICOLA JENKIN

soprano
soprano

Serenade for Strings
Holberg Suite
Two Aquarelles
Simple Symphony

Dag Wiren
Grieg
Delius
Britten

PHILIP SHEFFIELD

tenor

HUGH BEAN

director

alto

MICHAEL CHANCE

STEPHEN ADLER
GRAHAM TITUS
GUILDFORD PHILHARMONIC CHOIR
NEVILLE CREED

bass
bass

conductor

SUNDAY 24 NOVEMBER 1991 at 3.00pm
Suite: Midsummer Night's Dream
Trumpet Concerto
Symphony No.1 in Bb minor

Mendelssohn
Horovitz
Walton

GARETH BIMSON

trumpet

VERNON HANDLEY

DAVID NOLAN
MATTHIAS BAMERT

Copland

Konzertstuck for Snare Drum
and Orchestra

Masson

EVELYN GLENNIE
BARRY WORDSWORTH

percussion
conductor

Symphonic Dances from 'West Side Story'

Bernstein

SATURDAY 2 MAY 1992 at 7.30 pm

Prokofiev
Prokofiev
Mussorgsky

(orchestrated by ravel)

violin
conductor

Pre-concert talk in the Civic Hall at 6.15pm with Terry Barfoot
for ticket holders.

Ballet Suite: Rodeo

conductor

SATURDAY 7 DECEMBER 1991 at 7.30pm
CROSSLEY CLITHEROE MEMORIAL CONCERT
Lieutenant Kije
Violin Concerto No.1 in D
Pictures from an Exibition

SUNDAY 12 APRIL 1992 at 3.00pm

National Anthem
Cello Concerto in E minor
Symphony No.l (Sea Symphony)
FELIX SCHMIDT

ALISON PEARCE

arr. Britten
Elgar
Vaughan Williams
cello
soprano

BRIAN RAYNOR COOK

baritone

SIR CHARLES GROVES

conductor

GUILDFORD PHILHARMONIC CHOIR

Pre-concert talk in the Civic Hall at 6.15pm with
SIR CHARLES GROVES, for ticket holders.

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UNIVERSITY OF SURREY

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DEPARTMENT OF MUSIC wfi |

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Members of the public are most welcome at all
our concerts, which take place during term-time
in the Performing Arts Technology Studios on
campus. Wednesday Lunchtime Recitals start
at1.15 pm and are admission free. Concerts are

ah

also held on selected Thursday and Sunday

st

evenings and afternoons.

HUTSON POOLE WILLIAMSON

Please callthe Department if you would like to be

placed on our mailing list.

SOLICITORS
with

Further information is available from: -

NOTARY PUBLIC

17/18 QUARRY STREET,

The Secretary e

Tel: (0483) 65244

Guildford, GU2 5XH

BeParffl;enthé usic

GUILDFORD, GU1 3XA

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et

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TO PRIVATE AND CORPORATE CLIENTS
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PERSONAL INJURY

Autumn Term: 14 October to 20 December 1991
Spring Term: 13 January to 20 March 1992

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Summer Term :

27 April to 3 July 1992

L

Guildford
Philharmonic
Choir

The GUILDFORD PHILHARMONIC SOCIETY, for the Friends of
the Guildford Philharmonic Orchestra, is Guildford’s foremost
musical appreciation group. It was founded primarily to
encourage both its own members and the public at large to be
aware of, and to enjoy, the Orchestra’s season of concerts in
the Civic Hall, the Hall originally built for Guildford's own
orchestra. And it provides opportunities to enjoy a wide
variety of first class musical events at special Members’
Evenings.

Your opportunity to join this exciting choir in
performances with Sir Charles Groves and the
Guildford Philharmonic Orchestra
Chorus Master: Neville Creed
SEASON 1991/92

1991

29th September, Civic Hall Restaurant
New members’ RECEPTION
21st November, Methodist Hall
Evening with Kate Hill (flute) (GPO)
1992

Fauré : REQUIEM
Blake : BENEDICTUS
IN EGYPT
Handel : |\SRAEL
Vaughan Williams : SEA SYMPHONY

12th January, Civic Hall Restaurant
New Year Party

26th February, Guildford Guildhall
Quartet (details to follow)
29th March, Civic Hall Restaurant
Meet the Orchestra

Choral Workshop
Christmas Carols

Following the outstanding success of the choir’s visit to
Freiburg — Guildford’s ‘twin town’ in Germany —the Freiburg
Bach Choir will visit Guildford in 1992 and the Guildford
Philharmonic Choir will tour Southern Germany in 1993.
Details from:
Mrs K Atkins,
The Lodge, Allen House Grounds
Chertsey Street, Guildford
Surrey GU1 4HL
Tel: 0483 444666

MEMBERS EVENTS 1991/92

8th April, Methodist Hall
AGM & Karen Downs

MEMBERSHIP RATES are:
Annual Subscription (minimum)
Joint Subscription (husband and wife)
Persons under the age of 18 (minimum)
Retired pensioner (minimum)

£6.00
£10.00
£4.00
£4.00

Apply to: Mrs Iris Bennett, Applegarth, Cranleigh, Surrey GU6 7LY

SUPPORT YOUR ORCHESTRA!'

IT

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QUALITY INSTRUMENTS TO RENT OR BUY
DELIVERED TO YOUR DOOR
Good Range of Sheet Music, Accessories
and Gifts
Fast, reliable service on all orders and enquiries

Tel: Woking (0483) 729319
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GUILDFORD BOROUGH CONCERTS

SEASON 1991/92

The Guildford Philharmonic Orchestra and Choir
are

very

grateful

to

Vernon

Handley

who

is

CIVIC HALL, GUILDFORD

conducting this evening’s concert owing to the

SATURDAY 2 MAY 1992

Sir Charles, who was taken ill in February, is

indisposition of Sir Charles Groves.
making good progress and sends his best wishes to

at 7.30 p.m.

everyone present tonight. His greatest hope is to be

back with us all next season, and we send him our
warmest wishes for a complete recovery.

Guildford
Philharmonic
Orchestra

Tonight’s concert is the final concert of the Guildford

JOHN LUDLOW

Corporate

Philharmonic

Orchestra’s

1991/92

season

and

Guildford Borough wishes to thank everyone who has
helped with the promotion of the concerts during the

season. The financial assistance received from the
South East Arts Association, and the help provided by
members of the

Guildford

Philharmonic

Society,

pupils of Guildford County School and the Red Cross
Organisation has been greatly appreciated, as indeed,
has the support

of the

Members.

Orchestra’s sponsors and
Guildford

Borough

also

acknowledges assistance from the South East Music

Leader

Trust and the Musicians’ Union.

FELIX SCHMIDT

Cello
ALISON PEARCE

Soprano
BRIAN RAYNER COOK

Baritone
GUILDFORD PHILHARMONIC

CHOIR
VERNON HANDLEY

Conductor
Vernon Handley was for 21 years Guildford’s Director

of Music and he is now the Guildford Philharmonic
This Concert is promoted by Guildford Borough with

Orchestra’s Conductor Emeritus.

financial support from the South East Arts Association.

He is one of Britain’s most popular and distinguished

The

conductors and has worked closely with all the British

Guildford

Philharmonic

Orchestra

gratefully

acknowledges the support of its major sponsors:

orchestras throughout his career. He has held several

HART BROWN & Co., Solicitors

titles including, most recently, Principal Conductor of

BOC

the Ulster Orchestra 1985-1989, and he is currently

The Guildford Philharmonic Orchestra & South East

Principal Guest Conductor of the Royal Liverpool

Music Trust acknowledge the generous support of the
Musicians’ Union.

The Orchestra is pleased to acknowledge the Corporate

Philharmonic Orchestra. He has recently been elected
an

honorary

member

of the

renowned

for

Royal

Philharmonic

Society.

Memberships of:

Handley

BOC

recordings, particularly of British music and has won

is

HART BROWN & CO, Solicitors

several major awards in this area. In 1989 he won the

HUTSON POOLE & CO

Gramophone

PLASTIC COATINGS LTD

Simpson’s

9th

Award

for

Symphony

his

many

excellent

his recording of Robert

with

the

Bournemouth

Symphony Orchestra and in January 1991 he gave the
world premiere of Simpson’s 10th Symhony (which is
dedicated to him) in Liverpool, followed by a London
performance in the Royal Festival Hall. He has also
recorded the work with the Royal Liverpool Philharmonic Orchestra for Hyperion. Other recordings with
the Liverpool Orchestra include the Symphonies of
Vaughan Williams for EMI of which No 5 won the
British Record Industry Award and subsequently sold
25,000 copies.

Handley’s recent engagements have included a visit to
North America with the Jeunesses Musicales World
Orchestra and concerts with the San Diego Symphony

Orchestra,

Royal

Philharmonic

Orchestra,

Yomiuri
Orchestra,
Philharmonic
Netherlands
Nippon Symphony Orchestra, Helsinki Philharmonic
Orchestra and the ABC orchestras in Australia.
Future engagements include an appearance at the
Malvern Festival with the BBC Welsh Symphony
Orchestra and concerts with the Oslo Philharmonic,
Royal Philharmonic and The London Philharmonic
orchestras. In May 92 he will take part, with the Royal
Liverpool Philharmonic Orchestra, in the ceremony to
open the British Pavilion at Expo 92 in Seville. In July
92 he closes the City of London Festival with The
Philharmonia in a performance of Elgar’s Dream of
Gerontius in St Paul’s Cathedral.

Vernon Handley is a keen amateur ornithologist and
devotes several weeks a year to studying and photo-

graphing birds in their natural habitats.

since appeared extensively on the television and radio
networks of over nine countries, including a
performance of the Tchaikovsky Rococo Variations
with The Central Philharmonic of China in the Great
Hall of the People, Peking, as part of a lavish charity
gala watched by over 200 million television viewers.

He has played with many of the major European
Orchestra,
Ulster
the
including
orchestras,
Bournemouth Sinfonietta, RLPO, LPO, RPO, LSO,
The Philharmonia, CBSO, The Stuttgart Philharmonic
and the Warsaw Sinfonia under the batons of some of
the world’s most prolific conductors. Apart from a
notable performance of the Brahms Double with Sir
Yehudi Menuhin in Berlin, Felix Schmidt has worked
with conductors such as Sir Charles Groves, Georg
Solti, Yan Pascal Tortelier, Rafael Frubeck de Burgos
and Jean Benard Pommier.

His release of the Elgar Cello Concerto with the
London Symphony Orchestra and Rafael Frubeck de
Burgos received many excellent reviews. Having
previously recorded the Beethoven Triple Concerto
with the Trio Zingara and the Boccherini Concerto
with Edward Heath MP, Felix Schmidt is viewed by
many as one of the world’s most profound young
cellists, confirming Sir Yehudi Menuhin’s belief that he
is “one of the best cellists in the world today”.
In addition to his concerto works he plays as part of the
Trio Zingara who won the Nicanor Zabeleta Chamber
Music Competition in 1987. He frequently performs
with the Trio’s pianist, Annette Cole, as a duo, for
which they have been internationally acclaimed.

Felix Schmidt plays on the “Jansen” Stradivarius of
1721.

Born near Stuttgart, Felix Schmidt began studying the
cello under the meticulous direction of Maurice
Gendron. His studies continued with Gendron at the
Menuhin School and the Paris Conservatoire, where
he soon caught the ear of both William Pleeth and
Mstislav Rostropovich, from whom he greatly
benefited from their extraordinary musicianship.
Felix gave his Carnegie Hall debut in 1983 and has

Alison Pearce is one of the United Kingdom’s most distinguished and sought-after soprano soloists in
oratorio, opera and recital work.

She appears frequently with Britain’s leading
orchestras, including the Bournemouth Symphony,
Bournemouth Sinfonietta, The Halle, the Royal
Philharmonic, the BBC Welsh Symphony Orchestra,

—wmw/m

as well as being heard regularly in oratorio and lieder
recital on the BBC’s Radio 3 and World Service.

London Symphony Orchestras.

Brian Rayner Cook was encouraged by Sir Charles

Among her recent engagements have been a concert
tour of the Far East; the title role in Puccini’s ‘Manon

Groves at the outset of his career when he was invited
to Liverpool to sing with the RLPO. Subsequent

Lescaut’ for Dublin’s International City of Culture

concerts with the RLPO in the later 1970s included

celebrations; Vaughan-Williams’ Sea Symphony and

important performances, all broadcast by the BBC, of

Mahler’s 8th Symphony at the Three Choirs Festival; a

“The Apostles”, “The Kingdom” and then “Caractacus” (which Brian Rayner Cook also recorded with
Sir Charles for EMI).

recital of Britten and Bridge songs for the Brighton
Festival; Richard Strauss’ ‘Four Last Songs’ in
London; and performances of works by Bach, Handel
and Mozart in France, The Netherlands and Spain.

His

most

recent

appearance

with

the

Guildford

Philharmonic Orchestra was in “Belshazzar’s Feast”.

It was with this Orchestra that, towards the beginning
of his career, he first sang with Vernon Handley, in
Vaughan

Williams’

“Five

Tudor

Portraits”.

Sub-

sequently, their work together has included two CD

recordings: of music by Delius, and Elgar’s “King
Olaf”.

Brian Rayner Cook graduated in Music from Bristol
University, developing his interests as an organist and
as a conductor and repetiteur, before devoting himself
wholeheartedly to singing.

He won all the major

singing prizes during his postgraduate studies at the
Royal

College

of Music,

London;

and was then

awarded a Kathleen Ferrier Memorial Scholarship.

Guildford Philharmonic Choir

The Guildford Philharmonic Choir was formed by
Brian Rayner Cook

Guildford Borough in order to perform the major

Brian Rayner Cook has given opera, oratorio and

choral repertoire with the Guildford Philharmonic

recital

performances

European

Festivals

at

most

and

British

other

and

major

many

centres,

appearing throughout Western and Eastern Europe,
the Middle East, North Africa, the Far East, the USA,

Canada and South America.
Early in the 1990 season he gave concerts and recitals

in Singapore and again in Canada; and in the last
month of 1990 alone flew to three countries (including
Italy, to sing in a rarely-heard Caccini opera in Rome,

where he had just previously given a recital of contemporary music). In that month he recorded a recital CD,
sang with the Philharmonia in London’s Royal Albert
Hall, and gave first performances of seven newly-

Orchestra. As well as performing well-known choral

works,

the

choir specializes

in

twentieth century

British music and this has led to recordings of Gerald
Finzi’s ‘Intimations of Immortality’ with the Guildford
Phiharmonic Orchestra and Patrick Hadley’s ‘The
Trees So High’ with the Philharmonia Orchestra, both

recordings being conducted by Vernon Handley.
The choir is conducted by some of the most eminent

British

Musicians including Sir Charles Groves
(Principal Conductor), Vernon Handley and Sir David
Willcocks. As well as giving frequent concerts in
Guildford, the choir occasionally visits other British

cities.

In

1988 the Guildford Philharmonic Choir

Ivor Gurney songs (which were later

visited Paris, in 1990 joined forces with the Freiburger

broadcast). Engagements in 1991 included work at the
Royal Opera House, London, a return visit to New
York, commercial recordings and televised concerts,

The Choir is trained by Neville Creed, who was

transcribed

Bach Choir in Freiburg Munster.
appointed Chorus Master in 1987 and he is assisted by

one of which, Mozart Requiem with period instru-

Peter White. Lynette Newman is the Choir’s accom-

ments, was transmitted live in Europe on the 200th

panist.

anniversary of the composer’s death. He recently sang
Bach’s solo cantata “Inch habe genug” in Bach’s
“own”

church,

forward

St

Thomas’,

engagements

are

Leipzig.

Among

commercial

his

recording

The choir’s future plans include a summer concert in
the Guildford Festival in July and next season a return
visit to Freiburg.
Further details about the choir may be obtained from:

projects in London and in Czechoslovakia.
His gramophone recordings range from Schutz and

Kathleen Atkins

Charpentier to the Faure Requiem and “Carmina

The Lodge, Allen House Grounds,

Burana”;

from

Dvorak’s

orchestrated

“Biblical

Songs”, in Czech, to a number of large-scale works by

Vaughan Williams with the London Philharmonic and

Chertsey Street, Guildford, Surrey GU1 4HL
Tel: 0483 — 444666

and the London Symphony Orchestra at a Queen’s

Neville Creed

Neville Creed began his conducting career whilst a
Choral Scholar at Trinity College, Cambridge. He
then became Director of Choral Music at Tiffin School
in

Kingston-upon-Thames,

several

providing

highly-acclaimed

choirs

recordings

on

for

radio,

television and disc. The Tiffin Boys’ Choir recording of
Mahler’s 8th Symphony with The London Philharmonic under Klaus Tennstedt gained a nomination for

a

‘Grammy’

Conductor

award.
of

the

During this time he became
Milton

Keynes

Chorale

and

Assistant Chorus Master of the London Philharmonic
Choir.
In

1986

he

was

awarded

a

scholarship

to

study

conducting at the Guildhall School of Music where he
won the Ricordi Conducting Prize.

Whilst at the

Guildhall he conducted the second British staging of
the opera “Julietta” by Martinu. Since completing his
studies he has founded the London Musici Singers,
been appointed Musical Director of the Bournemouth

Symphony Chorus and the Guildford Philharmonic
Choir,

as well

as being invited to return to the

Hall Concert in London. The public found it a strange

work, though beautiful, glimpsing the Elgar that they
knew from the slow movement of the First Symphony
and parts of the Violin Concerto, but surprised by the
passion of the slow section of the last movement. It

seems that in this section and in the echo of the third
movement which follows it, Elgar was looking back
over his music and had found a tranquility that was
deeply moving.
In

form

the

movements

Concerto

instead

of

is

unusual,

the

wusual

having

three,

four

and

is

considered one of the finest ’cello concertos ever

written. It is certainly in the repertoire of every solo
‘cellist of note.

Unlike most other works for this

instrument, it is a very personal and almost introvert
work, although the introversion is not self-pitying, but
rather more an honest inspection of the serious side of
the composer, just as the finale of the Enigma
Variations is an inspection of the more optimistic
Elgar. It is also a very original piece technically and
there are pages which defy the hunter of influences.

Guildhall to conduct. In 1988 he won the second prize
in

the

First

International

Choral

Conducting

Competition held in Italy and in 1991 won a semi-final
prize

in

the

Leeds

competition

for

Orchestral

European

Community

INTERVAL

Conducting.
In

1990

he

Chamber

conducted

Orchestra

the

in

France

and

he

regularly

conducts in Denmark. He has given concerts with the
Bournemouth Sinfonietta, Bournemouth Symphony

Orchestra, Guildford Philharmonic Orchestra, The
Royal Philharmonic ‘Pops’ Orchestra and The Royal
Philharmonic Orchestra.

Symphony No.1 - A Sea Symphony
Ralph Vaughan Williams 1872 — 1958

With

the

Unknown

production

of

his

Region

the

Leeds Festival

at

cantata

Toward
in

the

1907,

Vaughan Williams, hitherto known chiefly as a song
writer, drew attention to himself as one of whom great
things might be expected. Three years later, at the
same Festival, he introduced his first symphony, A Sea

National Anthem

Symphony, which made an even stronger impression

arr. Britten 1913 — 1976

This version of the National Anthem was arranged by
Benjamin Britten for the Leeds Festival of 1961.

text to the American poet Walt Whitman, choosing
sections of the poem ‘Sea Drift’, from Leaves of Grass,
for his first three movements and parts of ‘Passage to
India’ for his finale. (It was the first of the 11 poems

’Cello Concerto in E minor

which make up ‘Sea Drift’ that Delius set.)

Adagio — Moderato
Lento — Allegro molto

Adagio
Allegro ma non troppo

This work is judged by many critics to be amongst
Elgar’s

finest,
for

ranking with
Strings

and

the
the

Introduction
Symphonic

and

although

it

has,

of

course,

The voices — soloists and chorus — play the leading part
throughout; there is no purely orchestral movement.
The symphony is memorable for its wealth of broad,
noble melodies, the feature above all which makes a
hearing such an uplifting inspiring experience.

and

Study

“Falstaff”. Certainly no works that he wrote is more
penetrating

English music.
As in the earlier work, Vaughan Williams went for his

Elgar 1857 — 1934

Allegro

and established him as a figure of real significance in

the

thumbprint of the popular marches, it stands apart
from the other works in style.
It was written in 1919, the year before Lady Elgar died,

and after she died he wrote nothing of note. He died in
1934. The work was first performed by Felix Salmond

1. A SONG OF ALL SEAS, ALL SHIPS
Baritone, Soprano, Chorus
Behold, the sea itself,

And on its limitless, heaving breast, the ships;
See, where their white sails, bellying in the wind,
speckle the green and blue,
See, the steamers coming and going, steaming in or out
of port

See,

dusky and undulating, the long pennants of
smoke.
Behold, the sea itself,

After the white-gray sails taut to their whistlin

(Baritone)

Of ships sailing the seas, each with its special
ship-signal,

flag or

Of unnamed heroes in the ships — of waves spreadi

ng

and spreading far as the eye can reach,

Of dashing spray, and the winds piping and blowing,
And out of these a chant for the sailors of all nations,

Fitful like a surge.

Of sea-captains young and old, and the mates,

and of

Of the few, very choice, taciturn whom fate can

never

all intrepid sailors,

surprise nor death dismay,

Picked sparingly, without noise by thee, old
ocean,
chosen by thee,
Thou sea that pickets and cullest the race in time,
and
unitest nations,
Suckled by thee, old husky nurse, embodying thee,
Indomitable, untamed as thee.
(Soprano)

Flaunt out, O sea, your separate flags of nations!
Flaunt out visible as ever the various flags and

signals!

But do you reserve especially for yourself and

soul of man one flag above all the rest,
A spiritual woven signal for all nations, emblem

elate above death,
Token of all brave captains and of all intrepid
and mates,

ship-

for the

o’er all

with curves,

buoyant

Where the great vessel sailing and tacking

displaced

Larger and smaller waves in the spread of

the ocean

the surface,

yearnfully flowing,

The wake of the sea-ship after she passes,

frolicsome under the sun,

flashing and

A motley procession with many a fleck of
many fragments,

foam and

Following the stately and rapid ship,
in the wake
following.

4. THE EXPLORERS
Baritone, Soprano, Chorus

O vast Rondure, swimming in space,

countless stars above,

and

Below, the manifold grass and waters,

With inscrutable purpose, some hidden prophet
ic
intention,
Now first it seems my thought begins to span thee.

Down from the gardens of Asia descending,
Adam and Eve appear, then their myriad progeny
after them,
Wandering, yearning, with restless explorations,

questioning, baffled, formless, feverish, with neverhappy hearts that sad incessant refrain, —
‘Wherefore unsatisfied soul? Whither O mocking

2. ON THE BEACH AT NIGHT ALONE

Baritone, Chorus

life?’

On the beach at night alone,

As the old mother sways her to and fro singing
her

husky song,

As I watch the bright stars shining, I think a thought

the clef of the universe and of the future.
A vast similitude interlocks all,

of

different,

All nations, all identities that have existed
or may

exist,

All lives and deaths, all of the past, present, future,

and

Who justify these restless explorations?
Who speak the secret of impassive earth?
carried out,

All distances of time,
All souls, all living bodies though they be
ever so

spans them,

Ah who shall soothe these feverish children?

Yet soul be sure the first intent remains, and shall

All distances of space however wide,

always

And shall forever span them and shall complet
and enclose them.

waves,

Toward that whirling current, laughing and

Unspeakable high processions of sun and moon

All sea, all ships.

similitude

prying,

Waves, undulating waves, liquid, uneven
, emulous

sailors

(Baritone)

brave sailors,

lifting up
their necks
Tending in ceaseless flow toward the track of
the ship,
Waves of the ocean bubbling and gurgling,
blithely

Covered all over with visible power and beauty,
Alternate light and day and the teeming spiritual
darkness,

young and old.

A pennant universal, subtly waving all time,

Below, a myriad, myriad waves hastening,

of man

And to all that went down doing their duty,
Reminiscent of them, twined from all intrepid
captains

vast

g spars

and ropes,

Today a rude brief recitative,

spanned,

Chorus
After the sea-ship, after the whistling winds,

And on its limitless, heaving breast, the ships.

This

3. (SCHERZO) THE WAVES

has

ely hold

be

Perhaps even now the time has arrived.
After the seas are all crossed,

After

the

great

captains

accomplished their work,

and

engineers

have

After the noble inventors,
Finally shall come the poet worthy that name,
The true son of God shall come singing his songs.

O we can wait no longer,
We too take ship O Soul,

Joyous we too launch out on trackless seas,

Fearless of unknown shores on waves of ecstasy to

sail,

Amid the wafting winds (thou pressing me to thee, I

GUILDFORD PHILHARMONIC CHOIR

Caroling free, singing our songs of God,
Chanting our chant of pleasant exploration.

First Sopranos

O Soul thou pleasest me, I thee,

Susan Barton

thee to me, O Soul),

Sailing these seas or on the hills, or walking in the
night,

Thoughts, silent thoughts, of Time and Space and
Death, like waters flowing,

Bear me indeed as through the regions infinite,
Whose air I breathe, whose ripples hear, lave me all
over,

Bathe me, O God, in thee mounting to thee,
I and my soul to range in range of thee.
O thou transcendent,

Nameless, the fibre and the breath,

Light of the light, shedding forth universes, thou
centre of them.

Swiftly I shrivel at the thought of God,

At Nature and its wonders, Time and Space and
Death,

But that I, turning, call to thee O Soul, the actual me,

And lo, thou gently masterest the orbs,
Thou matest Time, smilest content at Death,
And fillest, swellest full the vastnesses of Space.
Greater than stars or suns,

Bounding O Soul thou journeyest forth;
Away O soul! hoist instantly the anchor!
Cut the hawsers — haul out — shake out every sail!

Reckless O Soul, exploring, I with thee, and thou with

me,

For we are bound where mariner has not yet dared to
£o,

And we will risk the ship, ourselves and all.
O my brave Soul!

A farther, farther sail!

O daring joy, but safe! are they not all the seas of God?
O farther, farther, farther sail!

Walt Whitman

Louise Barnfield
Marion Blackburn
Jilly Bradshaw
Mary Broughton
Elaine Chapman
Celia Embleton
Josephine Field
Jenny Hakim
Sue Maddox

Elizabeth McCracken
Diana Medlicott
Alison Munro
Margaret Mylchreest
Susan Norton
Robin Onslow
Margaret Parry

Jean Radley
Susan Ranft
Joan Robinson
Judy Smith
Marie Sprott

Claire Stockdale
Enid Weston

Caroline Winfield
Second Sopranos

Jacqueline Alderton
Kathleen Aldridge
Olivia Ames-Lewis
Penny Baxter
Sue Bevan
Margaret Dare

Rachel Edmondson
Angela Hand
Elaine Harre

at the COUNTY SHOW
at 11.30 am and 2.30 pm
25 MAY 1992 at
STOKE PARK

Barbara Buck
Juliet Butler
Amanda Clayton
Mary Clayton
Janet Critchley
Fiona Davis
Sheila Davidson
Valerie Edwards
Maggie Guilfoyle
Ingrid Hardiman
Lesley Haugh
Marilynn Hill
Joy Hunter

Helen Lavin
Mary McTurk
Christine Medlow
Sheila Morris
Cynthia Pepler
Susan Pope

Grace Price

Catherine Shacklady
Gillian Sharpe
Jean Shail

Corrine Sinclair
Judy A. Smith
Jennifer Smith
Margaret Tingley
Hilary Trigg
Pauline Vince
Carol Wyllyams
Fiona Yeomans

Rita Horton
Nora Kennea
Judith Lewy

Alison Bosley

Evelyn Beastall

Sally Donaldson
Gina Eason

Claire Edwards

Jane Norman
Vivienne Parsons

Pamela Harman

Gillian Rix

Kathleen Isaac
Pandina Kwong
Brenda Moore
Jean Munro
Anne Philps

Maureen Shortland

BRASS QUINTET

Jean Brown

Second Altos
Iris Ball

Rosalind Plowright

GUILDFORD PHILHARMONIC

Helen Archibald
Janet Baumgart
Iris Bennett

Sheila Hendy
Susan Hinton

Evelyn Macmillan
Chris Maunders

COME and HEAR the

First Altos

Dawn Smith
Kathy Stickland
Margaret Strivens
Susan Taylor
Morag Walling
Christine Wilks
Tessa Wilkinson

Carol Hobbs
Sheila Hodson

Fay Richardson
Prue Smith
Rosemary Smith
Jean Whitehouse
Beatrice Wood

First Tenors

First Basses

Chris Blatchford

Graham Barwick

Bob Cowell

Norman Carpenter

Maggie van Koetsveld

Walter Chattaway

Peter Lemmon

Neil Clayton

Elizabeth Lyon

Douglas Corr

Christopher Morris

Michael Dawe

Roy Price

Clive Dunkley

Christopher Robinson

Terence Ellis

John Trigg

Laurie James

David Wilkinson

Michael Longford

Jeni Young

Stewart Lyon
Neil Martin

Second Tenors

Michael Pearce

Maurice Barton

Roger Penny

David Bennett

David Ross

Adrian Buxton

John Schlotel

Geoffrey Forster
George Fordham

Don Skipper

Philip Stanford

Leslie Harfield

Donald Walden

Nick Lamb

Andrew Whitehouse

Andrew Reid
Peter Sayers

GUILDFORD PHILHARMONIC ORCHESTRA
Principal Conductor: SIR CHARLES GROVES
First Violins:

John Ludlow
Joan Atherton

Phillip Augar

Sheila Beckensall

Jackie Bower
Ian Brignall

Eugene Danks

John Davies

Sponsored by
The Guildford
Philharmonic Society
Karen Downs

Avril Maclennan
Peter Newman

Piccolo:

Simon Hunt
Oboes:
James Brown

Ann Greene
Cor Anglais:

Janice Knight
Clarinets:

Nicholas Bucknall
Andrew Mc Cullough
Bass Clarinets:

Christopher Gradwell

Anthony Short

Eb Clarinets:

Alex Suttie

Michael Farnham

Rosemary Van Der Werff

Bassoons:

Ralph Whitehouse

Second Violins:

Nicholas Hunka

John Yeomans

Nicholas Maxted Jones

Anna Meadows

Second Basses

Rosemary Roberts
Julia Atkinson

Michael Allen
Peter Andrews

Roger Barrett

Geoff Boyt
Michael Bradbeer
John Britten
Henry Carew

Arthur Croker
Rodney Cuff
Terence Field

Carl Beddow
Ruth Dawson
Christopher Horner
Elizabeth Ovenden
Richard Quick

Lyn Davies

Brian Smith
Paula Tysall

John Meek

Michael Jeffery

Anne Rycroft

Maxwell New

Frederick Campbell

Barry Norman

Paul Appleyard

John Parry

Jean Burt

Nigel Pollock

Karen Demmel

RICHARD BAKER

as ARTHUR SULLIVAN

MUSICAL DIRECTOR - ROBIN WELLS
IN CELEBRATION OF THE LIVES

OF GILBERT & SULLIVAN

FRIDAY 5th JUNE 1992 - 7.30 pm
in

GUILDFORD CIVIC HALL
Tickets: Balcony £8.50, Stalls £7.00
Advance booking NOW from Godalming Operatic Society Box Office,
Lothlorien, Ham Lane, Elstead, Godalming, Surrey GU8 6HG.
Tel: (0252) 703376 and from Guildford Civic Hall Box Office.
Tel: (0483) 444555

Arthur Wilson
Bass Trombone:

Martin Nicholls
Tuba:

Cellos:

Timpani:

Martin Thomas
John Stilwell

Christina Macrae
John Franca
Naomi Zoob

and GODALMING OPERATIC SOCIETY

Trombones:

Ian White

John Elliott

“MUSIC FOR A
FRIDAY NIGHT”

ANNE JAMES, MESTON REID, PATRICK HEALY

Kate Moore

John Pickles

Stephanie Williams

John Kirby

as W. S. GILBERT

Alister Mackie

Michael Newman

in

with ROBERT BATEMAN

David Clack

Trumpets:

Peter Herbert

presents

Peter Clack

George Woodcock

Claire Sansom

Violas:

GODALMING OPERATIC SOCIETY

Horns:

Jocelyn Reeve

Don Hendy

Bernard Preston

Contra Bassoon:

Timothy Mallett

Nicholas Boothroyd
Basses:

Maurice Neal

Ian Eyres

Simon Archer
Percussion:

Stephen Whittaker
Keith Bartlett
Roy Sinclair

Nigel Shipway
Harp:

Aline Brewer

General Manager:

Peter Box

Kathleen Atkins

Michael Fagg

Music Administrator:

Celia Johnson
David Willis
Flutes:
Lenore Smith

Peter Holt
Concerts Assistant (SEMT):

Linda Mowat

Catherine Handley
The audience may be interested to know that the violin sections are
listed in alphabetical order after the first desk because a system of
rotation of desks is adopted in this orchestra so that all players
have the opportunity of playing in all positions in the section.

Today’s concert is the last in the 91/92 Guildford
Borough season but your orchestra will be playing at
various prestigious venues during the next few months
and would be delighted to see you at one or all of them!
May 30 Guildford Cathedral at 7.30 pm
Requiem
Verdi

West Sussex Philharmonic Choir — Kingston Choral
Society and Cantarella Delft
Robin Page
Conductor
Cathedral Box Office — 0483 440459
June 5 Festival Hall at 7.30 pm
Te Deum
Dvorak

Brahms

A German Requiem

Soprano
Pamela Kuhn
Baritone
John Hancorn
Goldsmiths’ Choral Union
Conductor
Brian Wright

Tickets: £6., £9., £12., £18., and £22.

Available from the Royal Festival Hall Box Office Tel:

071 928 8800.

June 13 Fairfield Halls Croydon at 8 pm
Overture: Mastersingers
Wagner

Rachmaninov
Walton

Piano Concerto No 2—piano

Lucy Parham

Belshazzar’s Feast

Chichester Singers — Portsmouth Choral Society
Jonathan Willcocks
Conductor
Fairfield Halls Box Office — 081 688 9291

July 11 Chichester Cathedral at 7.30 pm
Messiah
Handel
Chichester Singers

Conductor

Tickets — 0243 265563

Jonathan Willcocks

Box Office — 071 413 1443

John Forster and Brian Wright next year.

Neville Creed, the Choir’s Chorus Master, takes the
Guildford Philharmonic Choir to Freiburg next April,
and will conduct the Choir in a performance of
Haydn’s Paukenmesse on his return to Guildford.
Other choral works in the season are Brahms’
magnificent Requiem which will be conducted by Hans
Michael Bueurle, Director of the Freiburger
Bachchlor and Walton’s stirring Belshazzar’s Feast
with the internationally famous baritone Willard
White. This concert forms part of the Guildford International Music Festival 1993 and will be conducted by
Sir Charles Groves.

The annual Carol Concert, which is promoted in
association with the Rotary Club of Guildford, takes
place on 6 December conducted by Neville Creed and
will feature the Philharmonic Choir and the Guildford
Cathedral Choristers. Barry Wordsworth, who
delighted the Guildford audience this season with his
all-American programme, returns by popular request
to conduct the New Year concert — which will comprise
the well-loved music of the Strauss family, Lehar etc.,
He will be joined by the well known talented soprano,
Marilyn Hill Smith.

Discounts of 25% are available to subscribers and full
details of next season’s programmes can be obtained
from the Guildford Philharmonic Office at The Lodge,
Chertsey Street, Guildford, Surrey. Tel: 0483 444666.

Current subscribers will be given the opportunity
to renew this subscription and full details,
including next seasons programmes, will be sent
through the post.

August 15 Kenwood Lakeside at 7.30 pm
Hebrides
Mendelssohn’s Overture:
Flute Concerto
Mozart

Mahler

Kaspsyk, who worked successfully with the orchestra
last season, returns to conduct Schubert’s ‘Great’
Symphony — and we shall be pleased to welcome both

Symphony No. 1

1992/93 SEASON - A Preview!

The opening concert on 27 September features the well
known Fifth Symphony of Sibelius and marks the
return of John Lill to the concert platform for the
Schumann Piano Concert following the successful collaboration with Sir Charles in Beethoven’s ‘Emperor’
Concerto this year. Sir Charles conducts three further
concerts in the subscription series and our Conductor
Emeritus, Vernon Handley, will present a programme

of British music which will include a world premiere of
the orchestral version of Derek Bourgeois’ Trombone
Concerto with one of the world’s most talented tromboniests — Swedish born Christian Lindberg. Bax will
be represented in Vernon Handley’s programme by his
Winter Legends in which the young British pianist,
Margaret Fingerhut, will play the taxing piano part.

Distinguished ~ conductors ~ making their first
appearance before our Guildford audience include En
Shao, Hans Michael Bueurle and Meir Minsky. Jacek

IS YOUR COMPANY
INTERESTED IN
SPONSORING THE
PHILHARMONIC?

A full range of opportunities
available for the
1992/93 Season.
Contact:
Kathy Atkins,

Guildford Philharmonic Orchestra,
The Lodge, Allen House Grounds,
Chertsey Street, Guildford
Tel: 0483 — 444666

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CUILDFORD
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Smith Associates Limited,
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@ Information K4
at

— THE UNDERCROFT —
GUILDFORD’S TOURIST
INFORMATION CENTRE
The Undercroft is a stone vaulted basement dating from the 13th
Century and described by English Heritage as “the finest
mediaeval building of its kind”. It is now the home of the
Guildford Tourist Information Centre where a team offriendly,
knowledgeable staff offers both the local resident and visitor the
following services and information:
Places to visit

What's on
Guided walks of Guildford
Free accommodation booking
service

Tickets for local events
Holiday information service

|

’ ,

f

|

!

Travel information

Souvenirs, guides, books and
maps

72 HIGH STREET

'

GUILDFORD
(opposite Angel Hotel)

i

TEL: 0483 444007
(24-hour answering service)

G‘
GUILDFORD
BOROUGH

Opening Hours:

1 May - 30 September, Mon-Sat 10.00-19.00
Sunday 10.00-17.00
1 October - 30 April, Mon-Sat 10.00-17.00

GUILDFORD PHILHARMONIC ORCHESTRA
Dates for your Diary
Concerts in and around the South East
16 November 1991, Leisure Centre Worcester
Worcester Choral Society, Conductor: Donald Hunt

4 December 1991, Holy Trinity Church Guildford

“The Night Mozart Died”, Guildford Chamber Choir
Conductor: Sir Charles Groves
12 January 1992, Civic Hall Guildford
Ron Goodwin in Concert
1 February 1992, The Hawth Crawley
Piano: John Lill, Conductor: Sir Charles Groves

23 February 1992, Leas Cliff Hall Folkestone
Piano: John Lill, Conductor: Owain Arwel Hughes
21 March 1992, Petersfield Festival

Petersfield Festival Choir, Conductor: William Llewellyn
28 March 1992, Chichester Cathedral
The Chichester Singers, Conductor: Jonathan Willcocks
11 April 1992, The Hexagon Reading

Reading Festival Chorus, Conductor: Jonathan Grieves Smith

23/24/25 April 1992, Leith Hill Festival

Leith Hill Festival Choir, Conductor: William Llewellyn
30 May 1992, Guildford Cathedral

Kingston & West Sussex Choral Societies
Conductor: Robin Page
13 June 1992, Fairfield Halls Croydon
The Chichester Singers, Belshazzar’s Feast (Walton)

11 July 1992, Chichester Cathedral
The Chichester Singers, Messiah (Handel)
15 August 1992, Kenwood Concert Bowl London
Flute: William Boustany, Conductor: Sir Charles Groves
Full details from GPO Office, Tel. 0483 444666

Hart
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. . . proudly supporting

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68 Woodbridge Road, Guildford, Surrey GU1 4RE Tel: (0483) 68267
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2 Bank Buildings, High Street, Cranleigh, Surrey GU6 8BE Tel: (0483) 273088

33 High Street, Cobham, Surrey KT11 3ES Tel: (0932) 864433

8 Guildford Road, Woking, Surrey GU22 7PX Tel: (0483) 729991
1 South Street, Godalming, Surrey GU7 1DA Tel: (0483) 426866
Hart Brown House, Victoria Road, Farnham, Surrey GU9 7RG Tel: (0252) 737303